Amateur Photographer (12 January 2013)

Beginner Photographer is the world's oldest weekly journal for images fans. With its distinctive weekly structure, it's the first for information and electronic and movie apparatus exams. usual positive aspects on reader portfolios, darkroom, electronic, black & white and photographer profiles be certain all parts of images are covered.

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FILM: Kodak PRN ISO 100. 0— main light FILL LIGHT: White Lightning 1200 with silver parabolic reflector bounced into a 4' x 8' white Styrofoam board. 6. 5 stop) STUDIO SESSIONS : TECHNIQUES AND IMAGES 41 STUDIO SESSION CAMERA ANGLE This would place it in line This image demonstrates a with the subject plane, the full-length profile. It also imaginary line running demonstrates the effect of from the top of the head to camera angle. In this case, the nearest point of the the image could have been gown.

To the composition. BACKGROUND LIGHT/SEPARATION LIGHT: Lumedyne bare bulb placed vertically equidistant between subject and background. 5. 5— separation light (+1 stop) BACKDROP MAIN LIGHT: White Lightning 1200 in recessed Chimera 36" x 48" soft box placed horizontally. 5. HAIR LIGHT: SUBJECT White Lightning 1200 in selfmade foamcore soft box covered with white rip stop nylon (to diffuse light). Incident reading: f/8. REFLECTOR: Photogenic 36" x 48" super silver placed horizontally to kick light back up into the shadow side of the face.

POSITION OF MAIN LIGHT Note the correct 11 o’clock With the catchlights in this Placing the soft box (main positioning of the catch- position you can be sure light) closer to the bride lights in this bride’s eyes that the eyes are fully illu- makes it larger in relation minated and to the subject it is lighting. will look As a result, the shadows it alive and creates on her face have vibrant in very soft and flattering the portrait. edges. SEPARATION LIGHT: Lumedyne with silver parabolic reflector aimed just below shoulder level.

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